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The officer returned to the Emperor with the items Kaguya-hime had given him as her last mortal act, and reported what had happened. The Emperor read her letter and was overcome with sadness.
He asked his servants, "Which mountain is the closest place to Heaven? The Emperor ordered his men to take the letter to the summit of the mountain and burn it, in the hope that his message would reach the distant princess.
The men were also commanded to burn the elixir of immortality since the Emperor did not wish to live forever without being able to see her.
It is said that the smoke from the burning still rises to this day. In the past, Mount Fuji was much more volcanically active and therefore produced more smoke.
Elements of the tale were drawn from earlier stories. In it, he meets a group of women to whom he recites a poem. This indicates that there previously existed an image or tale revolving around a bamboo cutter and celestial or mystical women.
A similar retelling of the tale appears in the c. In s, studies showed that the relationship is not as simple as initially thought. Okutsu provides extensive review of the research, and notes that the book Jinyu Fenghuang was intended to be for children, and as such, the editor took some liberties in adapting the tales.
No other compilation of Tibetan tales contains the story. A Tibet-born person wrote that he did not know the story.
The Tale of the Bamboo Cutter has been identified as proto- science fiction. Some of its science fiction plot elements include Kaguya-hime being a princess from the Moon who is sent to Earth for safety during a celestial war, an extraterrestrial being raised by a human on Earth, and her being taken back to the Moon by her real extraterrestrial family.
A manuscript illustration also depicts a round flying machine that resembles a flying saucer. Farewell, Princess Kaguya" features a teen age girl who does not know she is the moon princess, sent to Earth 15 years ago to protect her from enemies who wanted her dead, until Kirara a giant creature from the moon comes to Earth to take her home now that her enemies have been defeated.
Kon Ichikawa made a film of the story in entitled Princess from the Moon. The tale was also featured in the film Big Bird in Japan , where Big Bird first is told the tale as folklore, and later realizes that his guide, named Kaguya, is the girl from the tale, but he is too late to see her return to the moon, and assumes that his imagination got away from him again.
The product was a contemporary ballet named Kaguyahime the Moon Princess , where elements of Western and Japanese cultures combine.
A demon assuming the identity of Kaguya, claiming to have devoured the real Kaguya Hime to acquire her divinity, is an antagonist in Inuyasha the Movie: The Castle Beyond the Looking Glass.
However, in this version, she uses a rocket ship to depart, and her design motif mixes bamboo designs with rabbit-like ears made of leaves, suggesting that she's a moon rabbit turned human.
Studio Ghibli released in November in Japan an anime film based on the folktale under the title of The Tale of the Princess Kaguya. Kerstin added it Nov 24, William marked it as to-read Apr 08, Jo marked it as to-read Sep 22, Hnin Yu marked it as to-read Nov 26, Shwe Thone marked it as to-read Feb 21, Mee Mee marked it as to-read Mar 23, Amy marked it as to-read Apr 05, Vanessa marked it as to-read Apr 26, Kristina Panfilova marked it as to-read Apr 26, Riya marked it as to-read May 01, Janine marked it as to-read May 07, Legato Darksummers added it May 09, Holly Miller marked it as to-read May 12, Rachel marked it as to-read May 19, Tai marked it as to-read May 29, Preeti marked it as to-read May 29, Leslie marked it as to-read May 30, Sara marked it as to-read May 31, Hasti Skarsih marked it as to-read Jun 04, Lisa marked it as to-read Jun 05, Leslie marked it as to-read Jun 14, Tracy marked it as to-read Jun 15, Kate marked it as to-read Jun 18, Momi marked it as to-read Jun 25, Fairy tales are movies that either sink or swim when it comes to the silver screen, based upon the merits of their story and the characters that exist to propel the fantasy past the absurd and into the tangibly real.
To be fair, there are certain elements inherent to Csupo's outing here that borders on mildly entertaining if only for the references that they make to other works, yet such moments are far and few between and never truly dispel the sour taste of hackneyed amateurism that permeates the majority of Moonacre's ridiculously generic universe.
At its core, The Secret of Moonacre strives to be part adventure fairytale and part whimsy comedy stitched together with undercooked themes of pride, corruption and the power of love to overcome all shadows of the human heart.
Ostensibly, this mix has all the elements to make for an enjoyable family feature, yet burdened with a plodding pace and characters that never come off the screen in any manner, the Secret of Moonacre is a dull one.
Centring around young teenage girl Maria Dakota Blue Richards as she moves into her extravagant and eccentric uncle's mansion in the Middle of Nowhere Forest under the protection of nanny Miss Heliotrope Juliet Stevenson who serves as a trite source of comic relief every now and then with her biggest character trait being an impromptu belch , Goudge's story is one built upon established ground-works for any old fantasy tale.
Sure, fair enough—there's nothing wrong with building upon already tried and tested methods—yet very little is done beyond this to help Moonacre feel like a tale of its own.
Perhaps the greatest and most obvious detractive trait inherent to Alborough's adaptation however is simply through its writing which seems to go through the motions at each and every turn.
About half way into the movie, it should be no surprise then that the production boils down to one of absurd ridicule—without the feeling of otherworldly mysticism to back up all the theatrical dialogue, sets and costumes, Csupo neglects his feature to being bland and utterly forgettable in spite of its striking visuals and over-the-top performances.
In fact, with the exception of perhaps Ioan Gruffudd , the majority of the acting ensemble here feel just as disconnected to the story's fantasy as everything else does.
It's not just bad—it's distracting and downright laughable when any sort of tension or conflict is pushed down the throat with little to no tangible reason to believe in it.
Yet this neglect to raising the suspension of disbelief is what ultimately stops The Secret of Moonacre from ever truly coming off the screen.
Perhaps with a greater budget, some bigger stars and a re-write or two, Csupo could have made something more than a sporadically pretty treat for the senses, yet as it stands nothing of the sort of achieved throughout its bumbling and overly melodramatic runtime.
This in turn makes recommending Moonacre a lost cause; young females may be able to enjoy all the unicorns, pretty dresses and coy humour to the extent that everything else is ignored, yet even this assertion serves as a broad test of the imagination—which is ironically more than Csupo manages here through his excruciatingly mundane two hour exercise in creating yet another Pedestrian Fantasy By Numbers.
A review by Jamie Robert Ward http: Enjoy a night in with these popular movies available to stream now with Prime Video. Start your free trial.
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